Rock Canyon University Free School of Writing for Children
Writing Picture Books
by Rick Walton
- Read as many picture books as possible. Study the books you like best.
- Read books on writing for children.
- Read other kinds of books, see movies, think, travel, gain experience and get ideas.
- Record any ideas you may get. Keep them accessible.
- Attend writing workshops. Take classes on writing.
- Join a writer's group.
- Join the Society for Children's Book Writers ($60)
- 22738 Vanowen Street, #106, West Hills, CA 91307
- 818-888-8771, www.scbwi.org.
- Learn to use the Internet for writing resources, writers discussion groups, and free writers newsletters
- Learn to use a computer word processor.
- Collect good reference books.
- Pay attention to kids. Notice what they like, how they talk, how they act, everything about them.
- Get in touch with the child in you.
- Write, Write, Write, Write, Write.
- 32 pages, (maximum 64--multiples of 8) 25 of text
- word count--0-1000, most common 100-400
- 1 or 2 sentences per page, 1 paragraph per double-page spread
- Each spread should:
- Be consistent in its mood and pace
- Take the story a step.
- Storybook--tells a story (needs variety of rhythm, ebb and flow)
- Informational Book--like an encyclopedia article for kids
- If you want to use a story to give information, focus first on
the story. If the story doesn't work, it doesn't matter what
the information is.
- Concept Book--focuses on an idea
- Write about what interests you.
- Write about what you know (you can get to know things though through doing research or through imagining)
- You can write about anything, as long as you write so that children will understand.
- Avoid cliches. If you use them, make them "unique".
The Big Picture
Plot your story.
- ..Does your conflict make the story interesting?
- ..At key turning points, consider other directions the story could go.
- ..Can you summarize your plot?
Know your story.
- ..Write the pre-history of your story
- ..Write the post-history of your story
- ..If you have trouble writing the pre- and post- histories,
then you probably don't know your characters well enough.
See the shape of the story.
- ..Understanding the shape of your story will help you see if there's anything that doesn't belong. Knowing the shape beforehand will also help you write the story.
- ..Draw the shape of your story.
Make sure every effect has a cause.
- ..Make a cause-and-effect line of your story. Make sure there
is a good motivation for everything that happens in your
story.
Stick to your story. Don't digress.
Create real characters.
- ..Are any of your characters stereotypes--race, gender,
profession, age, etc.?
- ..Does each of your characters seem like a real person to you?
- ..Name one thing that makes your character stand apart from the other characters.
- ..Is your character neither perfectly good nor perfectly evil?
- ..Is each of your characters interesting to you?
- ..What do your characters want? What motivates them?
- ..Use specific detail to make your characters come to life.
Choose characters' names carefully.
- ..No allegory names--Samuel Justice, Dorothy Love
- ..No distracting names, unless you want the names to distract, as in slapstick or bizarre humor.
- ..Are your names easy to tell apart? (Dan/Van)
- ..Are your names stereotypical? (Mary, Joseph, Sam, etc.)
- ..Avoid alliterative animal names, i.e. "Charlie the Chipmunk"
Limit description.
- ..The illustrations will provide most description.
Show, don't Tell.
Keep a consistent point of view.
Stick with either reality or imagination. Don't go back and forth
between the two, unless you make it clear what you're doing.
Consider your audience.
- ..Don't talk down to the child.
- ..Don't worry about vocabulary level. After you've finished, then if you think a word's too difficult, you can fix it then.
- ..Text should also appeal to adults.
- ..Don't date your piece. Make it universal.
Keep a unified tone and style.
Keep messages subtle. Don't moralize.
Only use poetry if the story demands it.
- ..If you use verse, make it fresh. Don't write doggerel, don't imitate Dr. Seuss.
Sections
Jump right into your story.
- ..Does your beginning get right into the story? Does it set
the mood? Introduce the main character(s)? Establish the
problem or conflict?
- ..Would your second or third paragraph make a better beginning
than your first?
Write an effective ending.
- ..Does your ending tie up the strings? leave the reader
feeling satisfied? feel like an ending? ramble?
- ..Don't rush your ending, but don't drag it out. Your ending
should be proportional to the movement in the rest of the
story. (A short manuscript will have a short ending, and
longer episodic manuscript will have a longer ending.)
Organize your story, and each section, logically.
- ..Organize according to the logic of time, space, and degree
of specificity.
Keep episode, paragraphs and sentences to the point and unified.
- ..Each section should suggest a clear scene.
Get rid of unnecessary sections.
- ..Shorten or remove any scene, section, paragraph, character,
or sentence which doesn't move your story forward.
- ..If you hesitate giving up your great writing, set it aside
and use it another piece of writing.
- ..If a section doesn't carry its weight, but is necessary to
move the story forward, can you summarize it and move on?
Make all sections strong.
- ..Find the strongest part of your story? What made it strong?
Go back through the rest of your story and edit it so that
it's all as strong as the strongest part.
Vary the length of sentences, paragraphs, and chapters.
Make effective transitions.
Use dialogue effectively.
- ..Make sure the reader knows who is speaking.
- ..Give each character his or her own "voice".
- ..Give your characters realistic speech patterns.
- ..Edit "lifelike" speeches to work on the printed page.
- ..Ensure that dialogue is always appropriate to the speakers
involved.
- ..Allow your characters to reply to implied as well as direct
questions.
- ..Don't let conversations go on and on.
- ..Don't let your characters "run away" with the story or hold
up the action."
Write a catchy title.
The Words
Shorten or remove superfluous, ineffective, or redundant sentences
and words.
Replace longer words with shorter ones.
Limit modifiers. Use effective verbs and nouns.
- ..Look at all adverbs and adjectives. Do you need them? Can
they be replaced with more specific verbs and nouns? (Does
the modifier add important meaning to the story, or is it
superfluous detail?)
- ..Use specific nouns and verbs.
- ..Keep verbs active.
Keep verb tenses consistent.
Make sure the remaining words are the right ones.
- ..Pay attention to nuances. Think of different ways to say something. What does each way suggest? What are it's nuances?
Use all the senses.
- ..Mark or write down all your uses of the senses. Do you use
all the senses? Does one sense rule?
Use figurative language.
- ..Use simile, metaphor, analogy, personification, hyperbole,
and allusion.
Use poetic devices.
- ..Use alliteration, assonance, rhythm, interior rhymes,
repetition, refrains, accumulations, contrasts, onomatopoeia.
- Avoid unjustified obscenities, sexisms, excessive dialect, cliches,
and jargon.
Avoid things that kill emphasis: excessive exclamation points,
passive verbs, abstract or indirect language, intensifiers,
cliches, and overexaggeration.
Put important things anywhere but in the middle.
Vary sentence length, form, and internal pacing.
Watch for common misspellings and incorrect usages.
Use spaces, pauses, and special typography, including italics,
boldface, and page layout. (But be careful not to overdo it.)
Read the text aloud. Have someone else read it to you aloud.
Put text in poetry format. See if any wording problems become
apparent.
Pretend you're writing to an editor, convincing her of every line
in your story.
Have someone else read your text. Take their critique with a grain
of salt.
Internet Sites
Information For Writers
-
The Society of Children's Book Writers and Illustrators: The organization that most professional children's writers and
illustrators in the country belong to.
-
Children's Book Council: Lots of information on children's literature, and links to many other related sites, including the
websites of many children's book publishers.
-
-
The Children's Literature Web Guide: Great place to start when looking for information on anything having to do with
children's literature--authors, publishers, critiques, etc.
-
My Web Site: Check it out.
Writers Guidelines
-
Children's Book Council Writers' Guildelines
-
Writers' Digest Writers' Guidelines
Books
|
Bicknell, Treld Pelkey, and Felicity Trotman, How to Write and
Illustrate Children's Books and Get Them Published, North Light
Books, 1988.
|
| Card, Orson Scott, Characters & Viewpoint, Writer's Digest Books,
1988.
|
| Cheney, Theodore A. Rees, Getting the Words Right: How to Revise,
Edit & Rewrite, Writer's Digest Books, 1983.
|
| Curtis, Richard, How To Be Your Own Literary Agent, Houghton
Mifflin, 1996.
|
| Children's Books in Print, R.R. Bowker (annual).
|
| Children's Writer's & Illustrator's Market, Writer's Digest Books,
annual.
|
| Edelstein, Scott, The Writer's Book of Checklists, Writer's Digest
Books, 1991.
|
| Goldberg, Natalie, Writing Down the Bones, Shambhala, 1986.
|
| Hearne, Betsy and Marilyn Kaye, eds., Celebrating Children's Books,
Lothrop Lee & Shepard, 1981.
|
| Krull, Kathleen, 12 Keys to Writing Books That Sell, Writer's
Digest Books, 1989.
|
| Roberts, Ellen, The Children's Picture Book, Writer's Digest Books,
1981.
|
| Roberts, Ellen, Nonfiction For Children, Writer's Digest Books,
1986.
|
| Roth, Martin, The Fiction Writer's Silent Partner, Writer's Digest
Books, 1991.
|
| Strunk, William Jr. and E. B. White, The Elements of Style,
MacMillan, 1972.
|
| Writer's Market, Writer's Digest Books (annual).
|
| Wyndham, Lee, Writing for Children & Teenagers, Writer's Digest
Books, 1980.
|