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Camilla

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Camilla, the favorite of Diana, a huntress and warrior, after the fashion of the Amazons, came with her band of mounted followers, including a select number of her own sex, and ranged herself on the side of Turnus. This maiden had never accustomed her fingers to the distaff or the loom, but had learned to endure the toils of war, and in speed to outstrip the wind. It seemed as if she might run over the standing corn without crushing it, or over the surface of the water without dipping her feet. Camilla's history had been singular from the beginning. Her father, Metabus, driven from his city by civil discord, carried with him in his flight his infant daughter. As he fled through the woods, his enemies in hot pursuit, he reached the bank of the river Amazenus, which, swelled by rains, seemed to debar a passage. He paused for a moment, then decided what to do. He tied the infant to his lance with wrappers of bark, and, poising the weapon in his upraised hand, thus addressed Diana: "Goddess of the woods! I consecrate this maid to you;" then hurled the weapon with its burden to the opposite bank. The spear flew across the roaring water. His pursuers were already upon him, but he plunged into the river and swam across, and found the spear with the infant safe on the other side. Thenceforth he lived among the shepherds, and brought up his daughter in woodland arts. While a child she was taught to use the bow and throw the javelin. With her sling she could bring down the crane or the wild swan. Her dress was a tiger's skin. Many mothers sought her for a daughter-in-law, but she continued faithful to Diana, and repelled the thought of marriage.

There is an allusion to Camilla in those well-known lines of Pope, in which, illustrating the rule that "the sound should be an echo to the sense," he says,

"When Ajax strives some rock's vast weight to throw, The line too labors and the words move slow. Not so when swift Camilla scours the plain, Flies o'er th'unbendng corn or skims along the main." Essay on Criticism

(from Bulfinch's Mythology: The Age of Fable )


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Picture Credits
Original bunny climbing rope picture by Paige Miglio (copyright 2000 ©) from One More Bunny authored by Rick Walton.
Original purple monster picture by Renee Williams-Andriani (copyright 1998 ©) from Really, Really Bad School Jokes authored by Rick Walton.
Original bullfrog seated picture by Chris McAllister (copyright 1999 ©) from Bullfrog Pops! authored by Rick Walton.
Electronic modifications by Ann Walton.
Last updated: September 27, 2003